I've been in love with Lauren Willig's Pink Carnation light/comic/contemporary/historical/academic/spy series (didja get all that?) since it debuted. I'd never listened to any of the audiobooks, though, so I took a chance on listening to The Garden Intrigue, the eighth full-length book in the series.
Goodreads summary: Secret agent Augustus Whittlesby has spent a decade undercover in France, posing as an insufferably bad poet. The French surveillance officers can't bear to read his work closely enough to recognize the information drowned in a sea of verbiage.
New York-born Emma Morris Delagardie is a thorn in Augustus's side. An old school friend of Napoleon's stepdaughter, she came to France with her uncle, the American envoy; eloped with a Frenchman; and has been rattling around the salons of Paris ever since. Widowed for four years, she entertains herself by drinking too much champagne, holding a weekly salon, and loudly critiquing Augustus's poetry.
As Napoleon pursues his plans for the invasion of England, Whittlesby hears of a top-secret device to be demonstrated at a house party at Malmaison. The catch? The only way in is with Emma, who has been asked to write a masque for the weekend's entertainment.
Emma is at a crossroads: Should she return to the States or remain in France? She'll do anything to postpone the decision-even if it means teaming up with that silly poet Whittlesby to write a masque for Bonaparte's house party. But each soon learns that surface appearances are misleading. In this complicated masque within a masque, nothing goes quite as scripted- especially Augustus's feelings for Emma.
My thoughts: I wish I had read this one instead of listening to it. Even though the dialogue was enjoyable, the prose sections seemed prolonged and tedious, and it was hard to maintain interest in either the romances or the espionage. I'm not certain if I would have enjoyed it more in text form, but as it was, it was was my least favorite Pink Carnation book since The Seduction of the Crimson Rose.
The dual contemporary and historical storylines meshed well, as always, but that didn't mean either was particularly interesting. Modern historian Eloise Kelly spends most of her time navigating a tricky house party and trying to figure out who broke into her email, while the historical plot centers around the creation of a masque to entertain Napoleon. There wasn't much furtherance in Eloise's relationship with her "cute, grumpy guy," Colin, and the historical romance between Emma Delagardie and Augustus Whittlesby was lackluster as well. I didn't see much chemistry between them, probably because Willig shows them falling in love during a brief exchange of notes and seems to stop there. As a result, their relationship lacked depth and passion, both things Willig has demonstrated extremely well in the past (The Masque of the Black Tulip is particularly well done).
























